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<!--Generated by Squarespace Site Server v5.9.2 (http://www.squarespace.com/) on Tue, 09 Mar 2010 20:59:24 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>Zach Risso, Artist Blog</title><subtitle>Zach Risso, Artist Blog</subtitle><id>http://www.zachrisso.com/zach-risso-blog/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.zachrisso.com/zach-risso-blog/"/><link rel="self" type="application/atom+xml" href="http://www.zachrisso.com/zach-risso-blog/atom.xml"/><updated>2010-03-01T18:25:07Z</updated><generator uri="http://www.squarespace.com/" version="Squarespace Site Server v5.9.2 (http://www.squarespace.com/)">Squarespace</generator><entry><title>Projekt 30</title><category term="Projekt 30"/><category term="exhibition"/><id>http://www.zachrisso.com/zach-risso-blog/2010/3/1/projekt-30.html</id><link rel="alternate" type="text/html" href="http://www.zachrisso.com/zach-risso-blog/2010/3/1/projekt-30.html"/><author><name>Zach Risso</name></author><published>2010-03-01T18:20:24Z</published><updated>2010-03-01T18:20:24Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>Here are shots of my work appearing in two of <a href="http://www.projekt30.com">Projekt 30</a>'s current shows.</p>
<p style="text-align: center;"><span class="full-image-block ssNonEditable"><span><img src="http://www.zachrisso.com/storage/March 2010.png?__SQUARESPACE_CACHEVERSION=1267467826410" alt="" /></span></span></p>
<p style="text-align: center;"><img src="http://www.zachrisso.com/storage/The Sex Issue.png?__SQUARESPACE_CACHEVERSION=1267467869289" alt="" /></p>]]></content></entry><entry><title>First CGA</title><category term="Ambrotype"/><category term="Glass Negative"/><category term="New Work"/><category term="Photography"/><category term="Wet Plate"/><id>http://www.zachrisso.com/zach-risso-blog/2010/2/26/first-cga.html</id><link rel="alternate" type="text/html" href="http://www.zachrisso.com/zach-risso-blog/2010/2/26/first-cga.html"/><author><name>Zach Risso</name></author><published>2010-02-26T14:45:33Z</published><updated>2010-02-26T14:45:33Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><em>I uploaded this once it was dry, but I forgot to post an new entry about it. </em></p>
<p>Clear Glass Ambrotypes are made by creating a negative on a sheet of glass before backing it with black material or paint. For this, I just used black paper, as I want to still be able to use it as a negative.</p>
<p>I am going to try out plexiglas/lexan, I think. The emulsion peels from glass that isn't absoultely spotless, so it's a pain. Plus, lexan and plexiglas do not break as easily as glass.</p>
<p><span class="thumbnail-image-block ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fpicture%2Fpome002.png%3FpictureId%3D4564971%26asGalleryImage%3Dtrue%26__SQUARESPACE_CACHEVERSION%3D1267195630654',548,600);"></a></span></span></p>
<p style="text-align: center;"><img src="http://www.zachrisso.com/storage/thumbnails/5007629-4564971-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1267195630655" alt="" /></p>]]></content></entry><entry><title>Polaroid Pixel Loff</title><category term="Illustration"/><category term="New Work"/><category term="Pixel"/><id>http://www.zachrisso.com/zach-risso-blog/2010/2/25/polaroid-pixel-loff.html</id><link rel="alternate" type="text/html" href="http://www.zachrisso.com/zach-risso-blog/2010/2/25/polaroid-pixel-loff.html"/><author><name>Zach Risso</name></author><published>2010-02-25T15:06:06Z</published><updated>2010-02-25T15:06:06Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"></span>I just finished a pixel homage to one of the most iconic Polaroid cameras. First thing I've pixelled in awhile.</p>
<p style="text-align: center;"><img src="http://www.zachrisso.com/picture/polaroid.gif?pictureId=4568052&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1267110389823" alt="" /></p>]]></content></entry><entry><title>Fuji FP-100 Negatives</title><category term="DIY"/><category term="Fuji FP-100"/><category term="Tutorial"/><id>http://www.zachrisso.com/zach-risso-blog/2010/2/25/fuji-fp-100-negatives.html</id><link rel="alternate" type="text/html" href="http://www.zachrisso.com/zach-risso-blog/2010/2/25/fuji-fp-100-negatives.html"/><author><name>Zach Risso</name></author><published>2010-02-25T12:35:21Z</published><updated>2010-02-25T12:35:21Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>I posted this on my old blog awhile ago, but it is still popular, so I want to post this here with some minor updates.</p>
<p><strong>Process:</strong></p>
<p>1. Take your photo, and overexpose it by 1-1.5 stops. This will make the negative the proper exposure, but overexpose the print. Then, when you pull it from the camera, <strong>do not peel it</strong>.<em> Unlike Polaroid film, Fuji's instant film is self-terminating. After two minutes, no further developing will occur.<br /></em></p>
<p>2. Once the two minutes are up, tape the photo, negative (black) side up to a piece of glass. Then, brush <strong>undiluted</strong> bleach onto the black backing, being careful not to let it leak under the photo.</p>
<p>3. Rinse thoroughly with water until all of the black backing has been removed, brushing more bleach on as necessary.</p>
<p>4. Peel the photo from the negative.</p>
<p>5. Rinse the negative again until it is clear, and the "gooey" emulsion is completely washed away and it looks like a normal film negative.</p>
<p>6. Dip into water/photo-flo mixture and then hang to dry.</p>
<p>Once dry, it is like any other negative and can be scanned or printed as such. I used a color negative in the example, but you can also use Fuji FP-100b. If you are using the 100b film, you must be very careful, as the emulsion is significantly weaker and will peel from the plastic much more easily than the 100c. This method only works for the 100 speed, and does <strong>not </strong>work for Fuji FP-3000.</p>
<p>﻿</p>]]></content></entry><entry><title>New Novel</title><category term="Book"/><id>http://www.zachrisso.com/zach-risso-blog/2010/2/24/new-novel.html</id><link rel="alternate" type="text/html" href="http://www.zachrisso.com/zach-risso-blog/2010/2/24/new-novel.html"/><author><name>Zach Risso</name></author><published>2010-02-24T14:14:05Z</published><updated>2010-02-24T14:14:05Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>I have been working on my new novel lately, and I have really thrown myself into it. I am trying to force myself to write a minimum of two pages a day. It doesn't matter if they are great pages or bad, as long as I write two pages, my work is done. I go back over each chapter several times to expand, so I can fix the bad pages as I go.</p>
<p>This is a very different writing style than I am used to. The trilogy was heavily based on the dialog spoken by the characters and was not as descriptive of their surroundings. This new novel, however, is very descriptive and I am taking copius notes about the world in which it takes place--something I've not done before.</p>
<p>I am also not limiting myself to any timeframe; when the book is done, it's done. I do not want to rush it at all. Which is, again, something completely new to me, considering each book in the last trilogy was written in a few days' time. I am taking it slowly for this novel though. Wish me luck!</p>]]></content></entry><entry><title>Pixel Work</title><category term="Digital"/><category term="Illustration"/><category term="New Work"/><category term="Pixel"/><id>http://www.zachrisso.com/zach-risso-blog/2010/2/15/pixel-work.html</id><link rel="alternate" type="text/html" href="http://www.zachrisso.com/zach-risso-blog/2010/2/15/pixel-work.html"/><author><name>Zach Risso</name></author><published>2010-02-16T03:12:46Z</published><updated>2010-02-16T03:12:46Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>I forgot to say that I updated the <a href="http://www.zachrisso.com/design-illustration/pixel/">Pixel Gallery</a> with two new pieces:</p>
<p style="text-align: center;"><img src="http://www.zachrisso.com/picture/nes%20cartridge.gif?pictureId=4479475&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1266290189015" alt="" /></p>
<p style="text-align: center;"><img src="http://www.zachrisso.com/storage/House1.png?__SQUARESPACE_CACHEVERSION=1266290106707" alt="" /></p>
<p style="text-align: left;">I've also added some updates to the graphic design gallery. I had forgotten about a few things that I should have put in there in the beginning.</p>]]></content></entry><entry><title>DAE (exhibition)</title><category term="Dreamscapes and Fallacies"/><category term="Photography"/><id>http://www.zachrisso.com/zach-risso-blog/2010/2/14/dae-exhibition.html</id><link rel="alternate" type="text/html" href="http://www.zachrisso.com/zach-risso-blog/2010/2/14/dae-exhibition.html"/><author><name>Zach Risso</name></author><published>2010-02-14T21:26:15Z</published><updated>2010-02-14T21:26:15Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>My piece, <em>Waiting for Rain</em>, will be in the upcoming Digital Art Extravaganza at the <a href="http://www.slowart.com/limner/index.htm﻿">Limner Gallery</a> in Hudson, NY from April 1-24. Opening reception is April 10th because of the holiday weekend the previous week.</p>
<p><span class="thumbnail-image-block ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fpicture%2Fwaiting%2520for%2520rain.png%3FpictureId%3D4188506%26asGalleryImage%3Dtrue%26__SQUARESPACE_CACHEVERSION%3D1266183249027',800,640);"></a></span></span></p>
<p style="text-align: center;"><img src="http://www.zachrisso.com/storage/thumbnails/5080192-4188506-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1266183249028" alt="" /></p>]]></content></entry><entry><title>The Ballad of Jane</title><category term="Digital"/><category term="Illustration"/><category term="Jane"/><category term="New Work"/><id>http://www.zachrisso.com/zach-risso-blog/2010/2/9/the-ballad-of-jane.html</id><link rel="alternate" type="text/html" href="http://www.zachrisso.com/zach-risso-blog/2010/2/9/the-ballad-of-jane.html"/><author><name>Zach Risso</name></author><published>2010-02-10T01:37:43Z</published><updated>2010-02-10T01:37:43Z</updated><summary type="html" xml:lang="en-US"><![CDATA[This is Jane.<br />Jane goes to art school.<br />Jane's boyfriend used to hit her;<br />he doesn't anymore. <br /><br />Jane likes piercings, <br />and Jane likes scarves.<br />Jane likes boys,<br />and Janes likes cars.<br /><br />Jane's mother was a drunk;<br />Jane's father, in the wind.<br />Jane's sister was a slut,<br />her brother liked to sin.<br /><br />Jane got good grades in school,<br />and she was friends with everyone.<br />Jane painted with oils<br />while other were using Crayola.<br /><br />This is Jane.<br />Jane goes to art school.<br />Jane was always sad;<br />she's not anymore.<br /><br />You know... nobody has seen that boyfriend for awhile.﻿]]></summary></entry><entry><title>Design School Confidential</title><category term="Book"/><category term="Ramblings"/><id>http://www.zachrisso.com/zach-risso-blog/2010/2/7/design-school-confidential.html</id><link rel="alternate" type="text/html" href="http://www.zachrisso.com/zach-risso-blog/2010/2/7/design-school-confidential.html"/><author><name>Zach Risso</name></author><published>2010-02-08T02:43:14Z</published><updated>2010-02-08T02:43:14Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>I recently purchased the book <a href="http://www.amazon.com/Design-School-Confidential-Extraordinary-International/dp/1592535488"><span style="text-decoration: underline;">Design School Confidential</span></a>. Now that I am taking a semester off, I don't want to let myself forget about design. The book contains class projects from a ton of art schools, so I want to work my way through the book and, eventually, complete all of them.</p>]]></content></entry><entry><title>Alt Process Class</title><category term="Alt. Process"/><category term="Ramblings"/><category term="Wet Plate"/><id>http://www.zachrisso.com/zach-risso-blog/2010/2/7/alt-process-class.html</id><link rel="alternate" type="text/html" href="http://www.zachrisso.com/zach-risso-blog/2010/2/7/alt-process-class.html"/><author><name>Zach Risso</name></author><published>2010-02-07T05:26:07Z</published><updated>2010-02-07T05:26:07Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>I'll be taking an alternative process photography class in about a week and a half. If I understand correctly, the majority of the focus is on cyanotypes and utilizing liquidlight on hand coated papers. Then, we are to build a body of work using one of the processes we have learned about.</p>
<p>I am hoping to be able to use wet plate in the class to make glass negatives in order to print large format rather than forking out the money for 11x14 film, as that just isn't a possibility, monetarily. I am hoping to focus on whole-plate size prints, since it would be cheaper to get the 6.5"x8.5" glass cut instead of getting 11x14 glass.</p>
<p>I have only been practicing with tintypes so far, not ambrotypes/glass negatives, so I want to get some practice in before the class starts.</p>]]></content></entry></feed>